THE MIRROR'S MESSIAH
                                                                                by Dattatreya Das

1  devi                                            

I shunned study and scorned the Sage

Nor welcomed work but took the wage

Delighting but in tawdry fiction

Reading all night in mere addiction

 

Till a story from a bygone Age

I can scarce recall - to my rage

Puzzled my mind and prompted conviction

In it alone lay all benediction

 

Among books I had starved but this was a banquet

Enthralling it was - that “Tale of the Anklet”

Echoing in my mind like elven madrigal

         The Sillapadikaram[1] by Ilango Adigal          

 

The Love there pictured, the Loyalty limned

All my thoughts tinctured, till my doubts dimmed

And, upon sweet Matrimony, I resolved to embark

Surrendering my Patrimony, for a leap in the dark

 

My domestic flute soon usurped by drum and fife

                                                                    I quit e'en the fields proper to strife

                                                                     Faithful to Love, yet forsaken by wife

                                                                          I lost a son, still dearer than Life.

 2s

Wronged by the Law, there's still hope of Appeal 

The judgement of Love, even Love can't repeal

The Heart's wounds, only the Heart can heal

Fie upon Women! They break what they steal!

 

And thus raging against Women, I took a mistress

The Grape's daughter, dulling distress

     But, that red haired houri[2], I entertained in state 

Turned harridan when I couldn't pay my slate

 

Once again homeless - barred from the Inn

Stopping at home I took up with Gin

Until, by and by, my health was shattered

my morale too - not that it mattered

 

Now, my fortunes wane each passing year

None remain I held once dear

Who love but feign, that seems clear

Each breath is pain, the end seems near.

 

And so it is and must always be

                 Except the bride be KANAGI                2

                                  Joined in love that Lover flourishes

                                  Whom not just Love, Fidelity nourishes.

2 

And so try as I might my thoughts still run

on the nuptial nights of KOVALAN

And I curse the fever that keeps me abed

And a wit to weak to recall all it read.

 

So even the balm of that book is denied to me

The chosen subject of my Poetry

And I court the Muse with as little hope

        As of piercing Maya[3], taking the snake for a rope  

 

And with so little scaffolding I begin to build

Lacking straw for bricks, yet thinking to gild

for Kovalan's Love, an English Mausoleum
styled for the echoes of a Tamil Te Deum

 

11

                          Kanagi! O Kanagi!

let us but see

for a moment tho' it be

the gambolling child

barefoot and wild

on her natal hills

or- pray God so wills-

the Groom's party beguiled

by a bride meek and mild

While her kinsfolk sit amazed

to see the beauty they have raised

                 And Amma[4] is on tenterhooks              

lest they ask if she cooks

And Appa[5] mops his brow

this will cost many a cow

And Tambi[6] makes a face

Anna[7] calls him a disgrace

Tambi protests and is pinched

Anna vows he'll be lynched

yet Tambi starts to cry

Who will dry his eye ?

Thus, in her eyes, unshed tears

As, in state, the groom appears

And looking into his face

She finds she cannot see

As is always the case

Facing Destiny

 11

O tender bride! on teenaged groom

grafted when, for growth, there is room

Guard against untimely fruit

Let the hybrid tree take root

 

O gallant groom! with girlish bride

Practice patience, take thought to hide

the fever'd blood, the swooning fall

Thrill to her touch, being but her doll

 

And so reassured that it's benign

Stretched, on your body's Earth, she'll repine

And her thoughts will turn on womanly things

the antelope's hooves and the rain it brings

 

Turning your thoughts in every direction

Except where she's employed on your erection

Think not to instruct, let Eve's daughter

Teach you the working of pestle and mortar!

 

Your body, now, is her very own

And you- my God ! - how you've grown!

Both in budget and bed, leave Woman in charge

& you're a King! though your endowment isn't large .

1 1

And so it behappened and befell

The little couple getting on well

And, little by little, the years slipped past

She the sail and he the mast

 

Love was all their language

Bodies - but balm and bandage

they'd tender apply

till the ardent reply

reopened each wound

and, senses swirling, they swooned

 

Thus passing each Night

Light closing with Light

Unbroken their bliss

the breaking Sun

become, I wis

a bawling son.

11 

Thus sundered each day

Their work seeming play

Going about their tasks

 they were, but, wearing masks

Each eve they would shed

Then giggle, then bed.

 

Then, turning serious, the solder

Taking, yet grown no colder

A particle accelerator - their private parts

In Trinity, Creator of primordial hearts

 

But swift decay rules Love's first born

As with the Creation's earliest spawn

The sparks struck in that Big Bang

Were choirs culled ere they sang

 

And tho' in Love, each lover persists

In creating a World where naught else exists

It but subsists by progressive degradation

Each rivets in embrace a rippling emanation

 

Thus, tho' neither stray, the charmed circle is broken

Tho' still they sleep, in dreams they are woken

Changed by each other, still they change

Quitting cott, in pre-Thought to range.

11 

First- looks replace the speaking touch

Then words are uttered- the amputee’s crutch

Till, by and by, their speech refined

Each concept used- contrarily defined.

 

But, this was not how it was

With our happy pair, dumb because

They employed their tongues but to enhance their raptures

Which e'en Ilango's rhyme rather trails than captures.

 

While amongst Men today the thoroughest Trappist

The most querulous to speak and quickest to slap wrist

At the simplest Anthem whose Anathemas are hurled

His Vision is most cluttered with Words and the World.

 

And in our most sceptical speech, by Ironical reversal

our trenches are overrun by the ‘Concrete Universal’

Nature and Art, Justice and Beauty

Seduce Scholastic sentries at their duty.

 

Ever loath to listen, to lecture keen

Always saying more than Men can mean

Tyrtaeus talks and Tantalus is thwarted

Art is born and Athena's aborted

 

Our Being-for-Others won't let others be

              As with Gresham's Law of Currency[8]            

Both are debased- Coiner and Coinage

Beggared by the Sovereign's rate of seigniorage[9]

 

Yet, still they go to it- each man and maid

Rather possessed than possessing, yet thriving in trade

Chained to their posts, yet courting mates

Changing nothing, exchanging states.

11 

In every Suburb we see them- in brick embowered

Strangers to Art, with Appliances endowered

Passing their days in meaningless chatter

or, if Meaning intrudes- it becomes a Police matter

 

Ploughing but that weeds might flourish

The carrion crow, thy seed doth nourish

Veneris a fly trap, the Womb a Prison

Nailed to that Cross, which Saviour has risen?

 

And the true emblem of our Apollonian Culture

Is not the Bald Eagle, but the Vulture

We devise new tricks and whip on our wit

To dip our wicks between the piss and shit.

 

Times change and Manners too

Petrol fumes stain the blue

The eye of Heaven blinks and waters

We forget all the Sages taught us.

1 1

That Love is ethical which alters one's Ethos

Purifies Passion and teaches one Pathos

As of the Divine Light that seals our eyes

And the Daedalean wing'd who rather falls than flies.

 

Deaf to the strictures of mere Sittlichkeit

I mourn the glamour, but not the Gemutlichkeit

of a conjugal Love, Love conjured away

So God, once more, in Mud, could play.

 

We no longer have Revolutions, we have Divorces

In blood his ablutions & nightly her courses

The harvest's ungathered and all husbandry is a chore

Each son is unfathered, each Wife’s a Whore.

 

Futile this sale of Hymenal torches

What cares the flame for the moth it scorches ?

And our brightest moments are but shadows cast

by the Great Ones of the Past

 

                              Neither ring, nor Priest

Nor costly feast

Not uttered Oath

Nor long pledged troth

Will suffice to bind

Two of different mind.

 

But Minds exist only by exchange

Only those forms persist that estrange

And all who wed, by Romantic Irony

Lamenting, alone, learn Harmony

 

As, in Ind's crowded streets, Saree’d women preserve

Plucking away their pleats, a grave reserve

Untouch'd, untroubl'd, they pass oblivious

to their shadows trysts - so lascivious.

 

So in Marriage too, but Shadows embrace

The work of Love, Love whirls to erase

Each for the other is ever Virgin

Love the wound and Love the surgeon.

 

The things of the World are things cheapen'd in use

And Love, in the World, the coarsest term of abuse

What is but possessed finally pollutes and is impure

What is ever repossessed, is both fever and cure

 

Thus loath to offer what they can, but, afford

Lovers, broken speech'd, are never bored

Why attempt the dragon's word horde ?

Who had wings, never have soared.

 

Luckier now than Bonnie and Clyde

Kovalan and his laughing bride

if one plott'd a raid on lay vocabulary

t'other was deputized by Love's constabulary

 

How foolish it would be to resist arrest !

Or, so fondly pressed, not bear one's breast

Or to long for aught save longer sentence

Or repeat the Sin, save to relish repentance.

 

Or if, of Judgement, the Judge grows coy

and suspends sentence- to annoy

the Defence then vies with the Prosecution

in pleading for summary Execution.

 

-----II----

Before Language existed, Love birds listening enraptured

to each other, by chattering Apes were captured

mimicking them, who learnt to communicate

not mutual Love but complotting Hate.

 

For Venus still reckons it deep disgrace

in the Sun's orbit to take second place

And spurns Earthly Spirits that onwards hurry

to freeze or fry on Mercury

 

To rather quibble than kiss argues loss of reason

But, all lovers being Mad, Venus still holds it treason

And tho' treasonous vermin die on the block

Losing their heads, still they will talk.

 

Lovers, 'tis notorious, know naught of Rhetoric

nor much use Memory - that Whorish trick

But are, by both, much besieged and beset

And, holding their notes, are dunned for a debt.

 

Individual Love pacts gave rise to Civilization

Which coming between each couple becomes Syphilization

Nor seduced, nor sheep like, nor caring for who talks

For the sake of the children, each catches the pox.

 

Far easier to forgive is mere fleshly infidelity

Then among mots and choses to lose one's chastity

A baby is bonny no matter how begot

Painful the pallor of the children of Thought.

 

Who, by day, his livelihood earns

and, Theseus like, each night returns

Finds his new mannerisms make her cross

Picked up, unwittingly, in battles with the Boss.

 

And who, from being a face, became a feeling

And, from being a body, became a mode of believing

ceases to please us and digs Beauty's grave

toiling with tweezers, to her mirror a slave

 

Of both we're well rid - Passion and Piety

When both are suborned agents of Society

Tight bound by the web, there's no bliss beside her

We worship and wed, for the convenience of the spider.

 

Who made all things, forbore giving them names

We call it Love and perish in its flames

We are words that claim a divine provenance

But what we mean, we have not connaissance.

 

We fall in Love taken by its glamour

and parlous, attempt to parse, God's grammar

Gestating Meaning, belly horribly swollen

Desire a full stop and deliver a colon.

 

Who makes nous a noun and rants but to reify

Before his works we bow down, his person we Deify

But who, “establishes Being, by means of the Word,”

However worthy his wares, hawks them unheard.

 

  Paranoid about how perceived, but with no Passion for Perception

Seeing a stranger in the Mirror, we delight at our Deception

Find nothing so marvellous as a meretricious metonymy

And cease to be a metaphor, seized by a mercenary eponymy.

 

Love is an Ad

for what can't be had

the stock that is at hand

is of more reliable brand

just suck it and see

read the guarantee

each prick is an Uzi

each cunt a jacuzzi

 

--------III---------

 

Senseless it is to search for sense

Or of profundity make much pretence

Where themes are chosen to make them chime

And words are woven to make them rhyme.

 

Pitiable the poet who, Woe's wight,

Purposes to pen, in Doom's despite,

The idylls of an Idol, exquisitely antique

Inhabiting a World, inherited by the Meek.

 

Does she yet live - the Goddess Kanagi ?

Whom sculptor and Songster so vividly see

Statues and Stanzas we cannot animate

but fuel our fervour and seal our fate.

 

In stone to seek the form Divine

In words, infuse fumes of Wine

We do what we know, knowing the while

Futile is knowledge, Error fertile.

 

Thinking we field when all we do is juggle

We struggle to limn, but limn only our struggle

Even if our vision were avowed what would it avail us?

Trading but in tokens, visions too will fail us.

 

Others have penned lines that penned

themselves on minds, through minds without end

Less heartening rill than hoarsened rasp

We are the Poem that eludes our grasp.

 

-------IV--------

 

Soft the Night, the moonlit arbour

Soft the strokes, till a mutual harbour

          Koyil[10], keeping cave, ignored the entry        

Heaven, invading Earth, suborned the sentry.

 

Calm the cove and soft the sand

A muted Sea, a melting land

The tide's tongue pleasantly lapping

The tongue's tide incessantly sapping.

 

A shifting shadow forest, a silvered Sylvan glade

the bolder he grows the more she's afraid

His quiver aquiver- body a bowstring to pluck

The deeper its driven, the more she'll buck!

 

Magnificent the Mountain and prouder the peak

Laboured her breathing and Resistance weak

Shame 'd be that Sherpa who'd, now, tire or retire

Tho' he can but cling, she climbs higher and higher!

 

In Hind, Hymen, tho' fondled and fed Rice

In the same nest scorns to stop twice

But amongst varying scenes delights to roam

being much persecuted, pausing at home.

 

For narrow is the court and numerous the kin

Snoring all about and raising such a din

Oblivious to their own offence, yet how light they sleep !

If any two creep hence, a tryst to keep.

 

         "Fire !" shouts Tata[11], "Rape !" Pati[12] screams

      Rousing the rest and dousing their dreams

Till, in a moment, the whole clan is up in arms

       And Kama[13] turns coward, unused to such alarms.      

 

Of bridal bliss the scolds are jealous

And of contriving chores the elders zealous

With longing looks, yet so little leisure

Each for the other is buried treasure.

 

Years pass and an unqickened womb

Invites their gall and adds to her gloom

For doubtful's that love that has this defect

to be so compelling a cause yet barren in effect.

 

Not Love made flesh, nor Flesh the Word

Just two embracing with never a third

Ever as duet their Love song sung

never to thrill to, for never to teach their tongue.

 

The Clan is rich tho' of frugal habits

His brothers boors - they breed like rabbits

Returning each night, from his forests and fields

He bemoans his plight- to talk to yokels of yields

 

And thus driven by degrees, Kovalan is drawn

To pleasure's precincts, where swains swear the morn

Commences not yet, till MADHAVI  shows her face

And day's work is a debt, cancelled by Dawn's disgrace.

 

Ah ! What it is to enter that tall and tapered Hall !

To pause upon the threshold and remit the acclaim of all

To know oneself intricate in all lapidary ways

As richly rewarding as rewarded by their gaze.

 

But, too self conscious to succumb to the player’s practised charms

Unmoving, like an idol dumb, he's not yet quit of qualms

A pearl to be flung after each soprano's sung, and he panics at the expense

 Straining each note, struggling to emote, he sickens at the pretence

 

Until, that is, the Jongleur Queen judges

her mark's getting miffed, he still gives but he grudges

and, in a word, the moment has come

to either give him the bird, or his pocket to plumb

 

What can't be said can oft be sung

But, Arias that defeat the mortal lung

Engaged Absolutes, may yet be limned

By the flashing eyed and fountain limbed

 

Now as one dazzled by the lightning of her eyes

Now as one deafened by the thunder of her thighs

Now thought tormented, now in a trance

Never seeing the dancer, he watches the dance

 

This is the body off which the Cosmos was born

This the flesh from which Consciousness was torn

This the broken winged bird, whose aborted flights

Yet can raise us to inconceivable heights.

 

Trees dance, but never dance away

Flowers clamour, but are crushed in play

Hills leap and Mountains skip

They're good ole boys, but hardly hip.

 

All the Earth we inhabit is only this body

Sell all you have and go and buy toddy!

Think not Ocean to drain, or Himalay to humble

You throw down Himalay, in drink when you stumble.

 

For dance is dementia and dementia is dance

     The devadasi[14] is dazzled by the glare of our glance 

Tho' spurned from her leman’s, and chastened with rods

Her feet drum up demons, her hands fling out Gods

 

Others, in rapture, now call out her name

Madam inquires - he wants more of the same?

As little in charge as an infant at nurse

Dumbly he nods and surrenders his purse.

 

But tho' all about they murmur "Madhavi !"

That fabled face he, alone, cannot see

Instead is atremble at the throb and the roar

Of an aethereal tide that beats at his shore.

 

As one enisled who glimpses the Main

As one hot pursued, quitting the Plain

His spirits surge in splendid Orison

To harmonise with a lifted Horizon.

 

There are more worlds within us than the Universe can hold

More tales about us than can, even in tale, be told

Yet, self forgetful Sultans, we greet with acclaim

Any strolling Minstrel with a rumour of our fame.

 

What baseness is it in us to quit the well seamed ore?

And covet a clipped coinage rather than new mint more?

To delight less in the Act than its paltry description

And forget the Physic, clutching the prescription.

 

And thus it happened to Kovalan

dazzled by a candle, he discarded the Sun

Shrugging off scandal, quitting Kanagi

Dance being for him what Verse is for me.

 

-------V-------

 

Love then was young, 'twas rare to see its Crypt

And tho' a Universal tongue, few had learnt its Script

For tho' all know how to Love, one must learn to love Love

And learning that Love, be done with Love, Luv.

 

----------VI-----------

 

Now, like a lack-wit lepidopterist, blunting his eyes

On tedious tomes tabulating the tints of butterflies

Passionate pilgrim, he pays dearly to see

In a dancing girl's gestures, the Grace of Kanagi.

 

     The Toddy tree[15] shelters some who seek but for shade  

The Stews, some, who scorn the wares there displayed

But by no dint of denial is the supposition scotched

these ones are drunkards, those others debauched.

 

And tho' drawn, but, by dance and a cultured coterie

All view him askance as Venus' votary

While pestered with Pity and unsolicited advice

       His wife holds to Smriti[16] and swears it all lies.   

 

Tho' he comes not to court, he finds himself courted

With crocodile tears, Madam retails what is reported

Assures him that Madhavi, shouldering the burden of blame,

Regrets only this- she has no cause for shame.

 

Drunkards and dancers are alike but in this

They yeast when they yearn, they lie when they kiss

Alcoholics and Artists ever long for that Lover

The Soul slaking spouse, they'd leave in an hour.

 

And thus it was with Madhavi

Who dancing held the Earth in fee

Yet, sitting still, is nothing brave

Then God's, now Gold's slave.

 

'Tis a Sin to love him, she well knows she is base

And he warms to her- the whore knows her place!

And undone by that egotism that triumphs in Wine

He roots at her feet, thinking- 'tis pearls before swine.

 

--------------VI--------------

 

To make love without Love is to lie with a Lie.

To feel estranged in one's body and shamed to feel shy

To know smoother rapture and swifter revival

For it's ever a departure and never arrival.

 

For Truth is arduous, Truth is hard

Ever a battle with never a bard

Cry "Love !" and lunge at all who are lungible

Love is illiquid, its forgery fungible.

 

See the Media's might push the great big Lie

The Whore Demos, with needle-raddled thigh

We can chasten the demotic & clarify the diction

We can ban the narcotic, we can't beat the addiction.

 

Be it the belle from Hell

Or the bimbo from Limbo

We score till we are sore!

And then score some more.

 

This now is our creed, our creed International

On this we're agreed, in this all are Rational

Sloe eyed or slant eyed, we maximise Utility

Ad man or Had man, we inherit Futility.

 

----------VII-----------

 

Of Nature, Art begs the gift of Life

But Nature's Law is guttering Strife

So all Art is unattested till, the corpse of a Truth,

Like Hector despoiled, it awakens echoes of Ruth.

 

Life circling Art, like Hyenas carrion

Affects the Aesthete, each howl a clarion

Call to the Philistine, ever slow to cotton

to come & dine on the perfectly rotten.

 

An irresistible call in our post-Einstienian age

Where each new savant seeks the last to upstage

And the World is a knot tied in umpteen dimensions

And Man is a verb with varying declensions.

 

A point moves- a line. A line moves- a plane.

A line read, resolved, a mere point again.

A plane moves- an object. Objects move in Time.

Ineluctable modality of Music and of Rhyme.

 

Embedded wherein, world line becomes wave function

Entombed therein, we tremble at extreme unction

Hounded, unhaltingly, yet spying new hideaways

Moving in Time, Minds, alone, move sideways.

 

Through those cruel reveries our parents called viciousness.

Tho' the circle was vicious, we achieved Consciousness

Zigzagging between impossible Pasts, implausible Futures

We'd crash again and again, all smiles now sutures.

 

A stinking pyre is our brain, in our blood Oceans drown

How many wagon trains have we not ridden down ?

Yet, reeking of rapine, we stumble on another

And, seizing, are surprised, their sister is a brother.

 

This wave woven world, this moved, marble, Mind

Mirroring each other, to each other are blind

What is that Love others have found?

Who binds billows, themselves unbound?

 

We are of Chaos the Caliph, the Cosmos our bar & bodega

Erased with the Golem's Alif[17], inscribed in Tielhard's Omega

Form shattered Mirrors  which Messiah has arisen?

Tho’ Love is parole, Love built the prison.

 

---------------VIII---------------

 

Time passes and Kovalan settles down

to playing the Prince when, in sooth, he is the clown

Paying for his pleasures with Mortgages raised

First on his cattle, then the meadows they grazed.

 

His brothers scold, but with each other vie

To snap up his notes & his silver to buy

Kanagi's kinsfolk, getting wind of the fact,

Urge her return, while her dowry is intact.

 

But, brave tho' betrayed, Kanagi does not flinch

Economises in secret so not he feels the pinch

Gives alms with aplomb, nor seems to dread it

When the tradesman knocks- which strengthens his Credit.

 

All this done without Hysteria or Histrionics

Sorrow's sincerest student, seeming one of Eudemonics

And tho' Love was the bitterest cup now placed before her

For Love's sake she drained it- so he could, more blithely, ignore her

 

Courage is never in big things, Courage always in small

Adventurers are cowards, all in Adrenalin's thrall

Men lay claim to courage and into Chaos are hurled

     For Courage is a Woman. Shakti[18] sustains the World.  

 

 

-----------IX----------

 

This is the Philologist's maxim - whether Vedic or Mexican

To simplify the World View- complicate the Lexicon.

A process that's progressed till anything felt or thought

Can be expressed by the brands that are bought.

 

The new Social Semiotics, most galling to me

Denied self expression by my penury

As fugitive as my Vision and as briskly cornered

My poems and cheques are alike unhonoured

 

And so I return, once again, to that far off Time

When signs where not things, nor Speech oral mime

The domain of the uttered not the oligopolist's dominion

the range of the utterance not diminished to Oblivion

 

--------X--------

 

Love was her World and Love every word

Tho' that World shatter, not Kanagi is surd

It yet coheres with an incalculable topology

Scaffolded by a self-solvent ontology.

 

His appearance is unaltered yet how much he is changed!

If with doubt she'd been dowered, she'd doubt herself deranged

Knowing herself widowed without knowing how or why

     She's an unresisting Suttee, in the pyre of his eye. 

 

           Marriage is a yoking - a Yoga never over      

till aloft like the swan above Mansarovar[19]

Fidelity triumphs tho' the flesh be faithless once

For Crematorium smoke is the wing of Parmahans.

 

      Prakriti and Purusa[20], from mutual embrace, exiled  

Being differently deluded, are both alike beguiled

Man enters the Symbolic order, thinking it Transcendence

Woman masses on the border - disputing its Independence

 

For Life must go on - tho' Language subsumes it

& Communication kept up, tho' Silence consumes it

Penelope weaves through each wave in the Odyssey

A faithful wife is, to the faithful, Theodicy.

 

----------------XI---------------

 

Swearing in earnest to what he had said but in fun

How times have changed for Kovalan !

Proving again what drabs well know

Fortune's ebb is Passion's flow.

 

Now taunted for his former lofty style

now turned away without guilt or guile

Now harrowed by her harlot lore

Now embraced as he was before

 

Sure of nothing, suspecting much

in Tantalus torment for her touch

He little knows if he sleeps or wakes

And now of gall, now manna, partakes.

 

The more piteous his petition the more peremptory her answer

Dance is the Deity of the dust that is the dancer

Whose image she incarnates - bootless to ask how

As, wedded to the Rocks, Siren keeps her vow.

 

While Ash is left to stir and embers to warm

Who'd winnow the flesh to worship Form?

Tho' ever decaying, 'tis deathless - Matter

Form's a flower that, sniffed, doth shatter.

 

"Madhavi!" he cries and again "Madhavi!"

Tho' bitter was the bloom, better the brief life of the bee

Than arduous ascents in Art's gilded hours

And Eternity amidst self-fertilizing flowers.

 

Rather choosing to part

than be held by her Art

tho' not spurned from her door

he goes there no more.

 

Wandering the wastes and the wilds

thoughts - now a God's, now a child's

Swell, like bubbles, and burst

her name - now blessed, now cursed.

 

The absence that aches in his eyes

Nature's green Physic defies

Nor the wind nor the waves can please him

Choreographing colours, they tease him.

 

Nor the brisk squirrel, the motionless kite

's drama distracts tho' it mirrors his plight

Fruits of the Earth nourish the knights of the Air

Who'd take flight, first feasts on the fair.

 

We learn to Love when we begin to die

Besiege a "Thou", bare holding the "I"

Our desires and deeds have this common textuality

Our Death colophon to our "History of Sexuality."[21]

 

Kovalan returns to his Love, for his Love was unreturned

           Seeing in Kanagi what his Saqi had spurned       

And recognises at home, broadcast by refraction

The Mirage Tavern and its every attraction.

 

Penitent for the Past, yet numb to feel

Wounded by the Vast, he'll never heal

She sorrows twice whose tears are hidden

devi                                                              Never cleansed, her mind a midden.

 1

Embarrassed by echoes, their speech is small

Fearing to fetter, they scarce embrace at all

What words are there to silence words?

How cage the song, yet free the birds?

 

Homelands can become Hellscapes the householder flees

Venus, as much as Mars, can boast her Refugees

In coarse travelling garb, quitting the well loved scene

Their eyes track the dust, not the paddy field's green.

 

The little they carry scarce explains their stoop

Arid eyed they walk, yet their lashes droop

Tho’ a faded myth, they muster "a fresh start"

For only myths matter in matters of the Heart.

 

The restless roads, the unstopping Seas

The unsettling rumour of the breeze
Whip on the weary, the loath to leave
And who were leery are forced to Believe.

 

Sweeping on Lovers, Love takes its course

The River of Life, pursued to its source.

Beginning where waters mingle- both salt and sweet

They end on lonely mountains- with lacerated feet.

 

Exchanging sea shore tumult for the torpid plain

       Quitting Puhar[22], they sight the Pandya's demesne 

Glimpsing golden gopurams[23] that gladden the eye

And, through morning's mist, the maze of Madurai.

 

-------XII-------

11 

A City is a Mountain, a Mountain a ladder

Whose single summiteer is no wiser but sadder

Than the middling who freeze fearing to ascend

And damming those lower, their Honour defend.

 

While those bedevilled by drives - Thymotic or Thanatotic

Are the swiftest to surrender to Sensoriums - Robotic

And favouring fiercer friction, most fear ignition

& indistinguishable doom, in the "Struggle for Recognition."

 

Now walking the streets with Wealth synonymous

Kanagi & Kovalan, garb'd like workers, anonymous

See the Mechanic's muscle is a mark of disability

And Grisette's gay cloche, the cap of Invisibility.

 

Fearful & unenfranchised, threading through the throng

Tho' never pausing to listen, they are pursued by this song

"Setting worth on our only ware, in tears we thought to trade

"In Surfeit's City, Sorrow so rare, Our Fortune, alas!, we made."

 

Passing the Goldsmith's quarter, Kanagi has a thought

She still has one ornament, the finest a jeweller wrought

And so, removing her anklet, its sale she doth urge

for its once sprightly song, is now leaden footed dirge.

1 1

Kovalan tosses back the trinket, for its tinkling melodious

Revives memories of Madhavi and much that is odious

And, with its bells dinning in his ear, steps up his stride

Like a homicidal husband fleeing the ghost of his bride.

 

Plunging through the streets without purpose or plan

They, finally, collapse - having walked all they can

At last, admitting defeat, seeing his wife so wan

So, at least they can eat, he takes the anklet to pawn.

 

         Meinongian objects[24] that belong not in Being    

Being but uttered alter modes of seeing

     And, like Borgesian Hrönir[25], spontaneously appear 

Pretenders we pledge to, till their title stands clear.

 

1

1

In the Palace, an anklet, merely misplaced,

has created a theft to be pitilessly traced

The pawnbrokers and jewellers have all been alerted

The Law's been unleashed & Justice averted.

 

Now, for an imaginary crime, Kovalan is lashed

As Kanagi's felicity was ferociously smashed

Interpolations undermine a common textuality

Kovalan expires in an adulterated Reality.

 

        Separated from Shiv, Uma becomes Shakti[26]    

That lives but to die & burns but in Bhakti

Raging for Ruth, Kanagi's Shakti is employed

In destroying the World as her World was destroyed.

 

       Kanagi, become Kali, of blood has her fill[27] 

The City burns like Canetti's Ant Hill

As Shibi's[28] Royal flesh reprieved the life of a dove

                            Maya fulminates Madurai, in reprisal for her Love.

 

----------------0----------------

 

Envoi:  Prince! Reward me for this my ditty           

  It's blokes like me secure your City

What need you fear from Kanagi?

Fill my jug and let me be.

 

 

 

 

 

                                                                                    © Dattatreya Das

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



    [1]The Sillapadikaram ( "The Tale of the Anklet") is a Tamil Epic composed by ,the Jain monk , Ilango Adigal around 200 B.C. It tells the story of Kanagi and her husband, Kovalan, who lived in Puhar - the Capital of the Chola kingdom. Their marriage is ideally happy until Kovalan becomes infatuated with, the dancing girl, Madhavi. He exhausts his wealth on her upkeep. Kanagi remains loyal to him, even going so far as to use her own dowry to provide him with funds. Eventually Kovalan sees the errors of his ways and returns to Kanagi.

They decide to journey to Madurai - the Capital of the Pandya Kingdom - to make a fresh start.

Kanagi gives her anklet - the last ornament left to her - to Kovalan to sell so as to raise a little capital with which to start a small business. Unfortunately, the Queen of Madurai has just reported her own anklet stolen. The jeweller that Kovalan visits becomes suspicious and calls the Police.

Judging Kovalan by his poverty stricken appearance, the Police, as so often happens in modern India, execute rough justice without bothering to make a proper investigation.

Kanagi, on learning how she has been widowed, is furious. She goes to the Palace to demand justice. The King is appalled to discover that an injustice has been perpetrated in his realm. As he has failed in his Religious duty, he takes his own life. The Queen too immolates herself.

But Kanagi is still not appeased. She curses Madurai and the City bursts into flames.

Kanagi is revered as a Goddess and as a symbol of wifely devotion and fidelity. She exemplifies the magical force, or Shakti, that all chaste women possess according to Hinduism.

 

    [2] Houri- Female attendant in the Mohammadan Paradise. “Red haired houri” is a locution for Wine.

    [3] Maya- Illusion, the phenomenal world. Adi Shankara uses the metaphor of a piece of rope, at twilight, being mistaken, for a snake to illustrate the nature of Maya.

    [4] Amma- Mother (Tamil)

    [5] Appa- Father (Tamil)

    [6] Tambi- younger brother (Tamil)

    [7] Anna- Elder brother (Tamil)

    [8] Gresham's law- "Bad money drives out good." Good coins are hoarded whereas clipped coins are rapidly put back into circulation.

    [9] Seigniorage - the difference between the face value and the intrinsic value of a unit of currency. Seigniorage accrues to the Royal Mint. Nowadays, since we have paper currency , the rate of seigniorage is 100 %

 

    [10] Koyil - Indian nightingale

    [11] Tata- Grandfather (Tamil)

    [12] Pati- Grandmother (Tamil)

    [13] Kama- Eros (Indian)

    [14] Devadasi- Temple dancer. In this context a courtesan.

    [15] Toddy is an intoxicating drink. A Tamil proverb says that even a man who is drinking milk under a Todddy tree will be assumed to be a drunkard.

    [16] Smriti - Hindu Ethical rules. Literally - "that which is remembered" as opposed to Shruti ,"that which is heard." Shruti is superior to Smriti. Some have interpreted Manu-Smriti as requiring a Hindu wife to remain loyal to her husband no matter what the provocation. Such a woman would be called a "pattivrata"- one who has vowed  to serve her husband as though he were God himself.

 

    [17]The Golem's Alif - erasing the Alif inscribed on the forehead of the Golem (an artificial man in Cabbalistic mythology) reduces it to dust.

Tielhard's Omega point - Tielhard de Chardin's teleology can be interpreted to mean that the end of human Evolution is to become, in some mysterious way, the generator of the Universe and thus of the Human Race itself. The Yoga-Samkhya philosophy can be similarly interpreted.Theistic Hinduism puts aside questions about the Creation to concentrate on the centrality of Love or Devotion. Indeed, the question of whether God exists independent of the devotee's love is scarcely meaningful within its universe of discourse.

    [18] Shakti - Power, or Strength. Shakti is the feminine counterpart of Shiva- the Supreme Godhead.

The notion that the active principle at work in the Phenomenal World is a Feminine emanation of a passive, Male, Godhead is pervasive in Hinduism and can be traced back to the Rg Veda. Vac (Speech) is to Viraj ("Shining forth") an equivalent Feminine Emanation as is mentioned in the Vedas.

                                                                          

    [19] Mansarovar - a lake in Tibet held sacred by Hindus. Literally- the ‘tranquil lake of the mind’.

Paramahans - Literally "Great swan". The Paramahans floats above the waters of Mansarovar. Supreme Yogis are accorded the title of Paramahans. Swans, especially since Konrad Lorenz, are also symbols of conjugal fidelity.    

    Prakriti - literally "Nature"(Feminine). Purusa- literally "Man." (Masculine) Samskriti is Culture as opposed to Prakriti (Nature). Prakriti and Purusa are a dyad exactly corresponding to that of Shiva and Shakti.

                                                                          

The reference is to Michel Foucault’s “History of Sexuality”. It has been suggested that Foucault deliberately exposed himself to the AIDS virus.

     Puhar, where Kovalan's family lived, was the capital of the Chola dynasty and located on the coast. Madurai, the Pandya's capital, is on the plain and Kanagi, ultimately, ends her life amongst the Mountains of the Chera Kingdom.The Cholas, Cheras and Pandyas were the three great Tamil kingdoms of Antiquity. The relationship between interior and exterior landscape was greatly stressed in ancient Tamil literature.

 

     Gopuram- Ornamental gateways of Classical Indian Temple Architecture.

     Meinongian objects - objects such as “the present King of France" or “the Mountain made of Gold." The philosopher, A. von Meinong, held that, since such objects “did not belong in the World of Being", contrary qualities could be ascribed to them with equal validity.

     Borgesian hronir - A reference Jorge Luis Borges' story "Tlon, Uqbar, Orbis Tertius." Hronir are objects which spontaneously come into existence as a result of people's expectations.

"In the most ancient regions of Tlon, the duplication of lost objects is not infrequent. Two persons look for a pencil- the first finds it but says nothing : the second finds a second pencil, no less real, but closer to his expectations."           

     Uma- wife of Shiva. A model Hindu wife. Bhakti- Devotion or Love. Tamil Nadu was the cradle of the Bhakti movement.           

     Kali - the destructive aspect of the Mother Goddess.

 Canetti's anthill - A reference to Elias Canetti's novel “Auto da Fe."- The ant hill where the long suppressed Love instinct suddenly re-asserts itself is plunged into chaos. Just as Mandeville's fable of the bees marked the beginning of the Comtean project, so Canetti's fable of the Anthill marks its end.   

     Shibi- a legendary King. The dispensing of Justice was thought to be the highest Religious duty of a Hindu King. One day, the story goes, a dove flew into the King's audience chamber and requested shelter from the hawk that was pursuing it. Shibi granted it asylum. A moment later the hawk appeared and demanded the surrender of the dove as it was his lawful prey. Shibi resolved the dilemma by cutting off a portion of his own flesh and presenting it to the Hawk.

Maya- illusion.